Occupy Shows its Protest Music Stripes – Jason Samel

Countdown Day 8 to Occupy Wall Street’s 10th Birthday

Sep 11, 2021
Jerry Ashton
Occupy

Jerry Ashton and Jason Samel (Photo Credit: Jerry Ashton)

Patriotism and Protest – inexorably bound and oftentimes indistinguishable – have always had their say through music.

Whether it be the American Revolution (The Liberty Song), World War I (Over There – competing with I Didn’t Raise My Boy to be a Soldier), WWII (Boogie Woogie Bugle Boy and Praise the Lord and Pass the Ammunition), and the Vietnam War (Ballad of the Green Beret countered by War – What is it Good For).

At Occupy, the war was clearly the 99% against the 1%; those who were bailed out versus those who were sold out.

Without needing to think about it, we carry in our thoughts the musical heritage created by fabled artists Pete Seeger, Jimi Hendrix, Buffy Saint-Marie, Joan Baez, Bob Dylan, Woodie Guthrie, Peter, Paul & Mary, Phil Ochs, Tom Paxton and so many more. Where are the songs for Occupy’s time in history? Who will write the words and music and poetry?

Those questions were answered emphatically with the debut on May 5, 2012, of “Occupy This Album- 99 Artists on 99 Tracks for the 99%,” the brainchild of executive producer Jason Samel which he created in collaboration with scores of musicians and industry professionals. Early on he connected with Maegan Howard of SoundTrack Studios in NYC and her friend, Alex Emanuel who then recruited entertainment attorney Shirley Menard. What a team; and they delivered.

Artists, both well-known and not, offered to contribute their time and talent to create tracks for an album to benefit the Occupy Movement – Joan Baez, Arlo Guthrie, Lucida Williams, Yoko Ono, Jackson Browne, David Crosby, and Graham Nash, Pattie Smith, Warren Haynes, Our Lady of Peace, Thievery Corporation, UNKLE, Mogwai, DJ Logic, Immortal Technique, Toots & the Maytals and enough more to reach the final – and symbolic – count of 99.

The reviews rolled in. Mother Jones declared “…what the album lacks in musical cohesion it makes up in star power.” Jackson Browne.com quoted the Rolling Stone as saying, “Occupy Wall Street now has an A-List Soundtrack” and L Magazine declaring “This Occupy Wall Street Tribute Album has way too many amazing musicians on it.”

(My own personal choice in the four-disk set was and is Matt Pless playing “Something’s got to give.” His was the most authentic “folk” voice at Zuccotti Park and his was the lead song on the four-album set. Clearly to me, he was the “Woody Guthrie” of these times. Find more about Matt here.)  

Want to know more about this album and its impact? I was fortunate enough to snag an interview with Jason and in this, he goes into details as to the album’s origin, its inspiration, and the work it took. Enjoy it here.

So, will the music for occupy be a funeral dirge or a true “Happy Birthday to You?” Show up at Zuccotti Park on 9/17/21 and find out.

Story originally published on LinkedIn

 

By Contributor:

Jerry Ashton

Jerry Ashton walked into Occupy Wall Street in 2011 as a debt collector, and walked out of that experience two years later as a debt forgiver – literally rethinking his profession to co-found RIP Medical Debt in 2014 to reverse the ills caused by that industry. Six years later at the time of his retirement, his charity had successfully abolished over $2.7 billion in unpayable medical debt for over 1,800,000 Americans across the U.S. As of this writing, the total debt abolished is over $5 billion over almost 4 million people.

Jerry founded Let's Rethink This in late 2020 with the intention of seeing that lightning can strike twice. This time as a “B” Corp and not a charity, Jerry and his co-creators intend to bring about $1 billion in social and economic good this time through a unique Searchlight/Spotlight/Ignite model.

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